Hr = pFontCollection->GetFontFamily(i, &pFontFamily) GetFontFamily takes a UINT32 index and returns the font family for the font at that index. The following illustration shows examples of fonts that are members of the 'Times New Roman' font family.Īn IDWriteFontFamily object can be retrieved from a font collection using the IDWriteFontCollection::GetFontFamily method shown in the following example. These feature differences include style, such as italic, and weight, such as bold. Gets a list of fonts in the font family ranked in order of how well they match the specified properties.Ī font family is a set of fonts that share the same family name, such as 'Times New Roman', but that differ in features. Gets the font that best matches the specified properties. The IDWriteFontFamily interface has these methods.Ĭreates a localized strings object that contains the family names for the font family, indexed by locale name. IDWriteFontFamily also has these types of members: Methods The IDWriteFontFamily interface inherits from IDWriteFontList. This is made to cover the avaliable space, and fixed so scrolling is ineffectual.Represents a family of related fonts. for(i=0 i Return to Thumbnails') //create the overlay. Var sidebarOpen = false //lets toggleSidebar function know whether it's open or not. Var captions = true //set to false if you don't want captions, set to true if you do. Cartoonist Victor Gillam turns the tables on American missionary zeal and moral imperative to “save the heathen” by showing how the Chinese might view the “foreign devils” in vignettes of ignorance, racism, and extreme violence in the United States.'] //data has image name, then caption if applicable. PugheSource: Library of CongressVignette caption (middle): 'Burning Negros at the Stake'Vignette captions (left panel):'Kentucky feuds”'New York City Government'Vignette captions (right panel):'Labor riots''Anti-Chinese Riots'Raising money to “Save the Foreign Devils” recurs in the visual record.

Cartoonist Victor Gillam turns the tables on American missionary zeal and moral imperative to “save the heathen” by showing how the Chinese might view the “foreign devils” in vignettes of ignorance, racism, and extreme violence in the United the Heathen See Us-A Meeting of the Chinese Foreign Missions Society”Signs: “Contributions received here to save the foreign devils” and “Help the Heathen”Puck, November 21, 1900Artist: John S. EhrhartSource: Library of CongressVignette captions (left panel):“The refined and elegant amusement of shooting live pigeons.”“The noble sport of cock-fighting.”“The manly art of bruising.”Vignette captions (right panel):“The elevating diversion of ‘turkey-grabbing’.”“The admirable custom of ‘lynching’.Raising money to “Save the Foreign Devils” recurs in the visual record.

“Our ‘Civilized’ Heathen”And yet Uncle Sam is always giving money to ‘save the Heathen.’”Puck, September 8, 1897Artist: Samuel D. This course does not reflect the views of MIT, MITx, EdX or Visualizing Cultures. By showing certain images or discussing certain topics, we do not endorse the views or opinions they present, but seek to understand the past, even when it is difficult to look at in the present. Warning on viewing historical images: Images from the past can be offensive to view. Take a look, and move on to the videos and exercises.

These are all the images that we will be working. How would an outsider consider and evaluate American culture at the time. Within the United States, the turn of the twentieth century was a moment marked by racial violence and the rise of nativist movements. Today, we will be examining a couple of graphics that critically interrogate what 'heathen' really means and who it might refer to.

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